Abstract
This article analyses mid-nineteenth-century Russian translations of Jane Eyre and The Woman in White, with a special focus on the way these novels rendered images of women. Particular attention is paid to the contemporary Russian context, the reasons for the translators’ diverse approaches, and the consequent choices they made as they translated the original texts. We conclude that Russian interest in these English novels was spurred by the search for a contemporary literary heroine. The translated versions partially filled this lacuna, thereby effecting a satisfying compromise between the British and Russian literary traditions.
| Original language | English |
|---|---|
| Pages (from-to) | 118-129 |
| Number of pages | 12 |
| Journal | Bronte Studies |
| Volume | 42 |
| Issue number | 2 |
| DOIs | |
| Publication status | Published - Apr 2017 |
Fingerprint
Keywords
- Conservatives
- Doubling
- Emancipators
- Female images
- Jane Eyre
- The Woman in White
- The woman question
- Translator
ASJC Scopus subject areas
- Literature and Literary Theory
Cite this
Female images in jane eyre and the woman in white in Russian translations of the 1840–60s. / Matveenko, Irina A.; Syskina, Anna Alexandrovna; Aizikova, Irina A.; Kiselev, Vitaly S.; Lonoff, Sue.
In: Bronte Studies, Vol. 42, No. 2, 04.2017, p. 118-129.Research output: Contribution to journal › Article
}
TY - JOUR
T1 - Female images in jane eyre and the woman in white in Russian translations of the 1840–60s
AU - Matveenko, Irina A.
AU - Syskina, Anna Alexandrovna
AU - Aizikova, Irina A.
AU - Kiselev, Vitaly S.
AU - Lonoff, Sue
PY - 2017/4
Y1 - 2017/4
N2 - This article analyses mid-nineteenth-century Russian translations of Jane Eyre and The Woman in White, with a special focus on the way these novels rendered images of women. Particular attention is paid to the contemporary Russian context, the reasons for the translators’ diverse approaches, and the consequent choices they made as they translated the original texts. We conclude that Russian interest in these English novels was spurred by the search for a contemporary literary heroine. The translated versions partially filled this lacuna, thereby effecting a satisfying compromise between the British and Russian literary traditions.
AB - This article analyses mid-nineteenth-century Russian translations of Jane Eyre and The Woman in White, with a special focus on the way these novels rendered images of women. Particular attention is paid to the contemporary Russian context, the reasons for the translators’ diverse approaches, and the consequent choices they made as they translated the original texts. We conclude that Russian interest in these English novels was spurred by the search for a contemporary literary heroine. The translated versions partially filled this lacuna, thereby effecting a satisfying compromise between the British and Russian literary traditions.
KW - Conservatives
KW - Doubling
KW - Emancipators
KW - Female images
KW - Jane Eyre
KW - The Woman in White
KW - The woman question
KW - Translator
UR - http://www.scopus.com/inward/record.url?scp=85014963156&partnerID=8YFLogxK
UR - http://www.scopus.com/inward/citedby.url?scp=85014963156&partnerID=8YFLogxK
U2 - 10.1080/14748932.2017.1280939
DO - 10.1080/14748932.2017.1280939
M3 - Article
AN - SCOPUS:85014963156
VL - 42
SP - 118
EP - 129
JO - Bronte Studies
JF - Bronte Studies
SN - 1474-8932
IS - 2
ER -